本案以民国时期的文化与美学为灵感，在这个项目，“民国”是一个仿佛可以无限追索的空间，从我者到他者，从此地到彼地，从此时到旧时。“西潮与新潮”、“上流社会”、“传统美与摩登美”成为项目创作的主题词，诠释了民国的时代特征：西方文化进入已从如丝如缕变成如潮如涌，凡文化形式无不浸润着西方色彩；美与残酷历史相依相存，民国风很大程度上是地主买办、是上流知识分子社会的美；一头是闭关锁国的封建时代，一头是西方世界陡然卷入的猛烈冲击，社会文化呈现空前的开放与交融。设计师从建筑形式、空间氛围、物件故事和身份想向等多维度完成了民国风范的时代影象，也构建了当代生活的链接。

This case is inspired by the culture and aesthetics of the Republic of China period. In this project, the "Republic of China" is a space that seems to be infinitely retrievable, from one to the other, from here to another, from now to the past. "Western Tide and New Tide", "Upper Society", and "Traditional Beauty and Modern Beauty" have become the subject terms of the project creation, which interprets the characteristics of the era of the Republic of China: the entry of Western culture has changed from silky threads to tides. Cultural forms are all infiltrated with Western colors; beauty and cruel history are interdependent. For the most part, the style of the Republic of China is the beauty of landlord, comprador and upper-class intellectual society. On the one hand, it is the feudal era of closed country while on the other hand is the violent involvement of the Western world. Social culture presents unprecedented openness and integration. The designer has completed the image of the era of the Republic of China style from multiple dimensions in terms of architectural form, space atmosphere, object story and identity, constructing the link of contemporary life.