The Royal-Lottomatica offices has been a starting point as well as a goal for our research. Toy and light are the basis of this research and certainly technology drawing is one of the major innovation in the design of the latest ten years.

In fact the mechanical and technological plants are the very center of our contemporary design and this need to be managedaesthetically. A colored pipe, the “snake”, can be used without electricity, full of colors during the day and dark during the night. But if you decide to use it as a light source you will enjoy its colors even when its night.

In this way buildings will achieve a new role, thanks to their night presence and they wont need any external lighting: they will produce their light and colors, and will “dialogue” with people and with the city.

The reception is defined by “the snake”, the bright pipe – a prototype – that shows the path toward the offices and characterizes the spaces.

These spaces are surrounded by wiggly lines converging toward the central oval, lighted up with fluorescent light.

Volumes are extremely collected and create an ethereal, vanished environment, far from the daily housing dimension.

This space is marked by some symbolical figures, typical of the toys world: numbers, and their placement in a random order, and colors, in a childlike combination.

The management offices do not betray this concept: the color, untidy in a neoplastic matrix with Dutch and Russian lines (from Mondrian to El Lisitskij), draw furniture built to be toys, even before of being volumes destined to contain things.