我们希望可以从会所的“有形”特征和东方美学的“无形”体验这两个维度去思考光的设置和呈现。
东方美学是一个既抽象又具象的概念,抽象是因为基于心理上的感知,而具象则是符号化的视觉满足。在抽象的层面,我们会思考什么样的光会能让人产生对于东方美学在心理上的共鸣并能获得认同?
首先是间接的,我们将光藏在格栅、结构之后,呈现出剪影或者如同日光透过纸窗漫射的效果;其次是连续的,我们让光在地面或者结构中尽量的延续,形成光无穷尽的视觉效果;再有就是反射的,我们用光去照亮那些有着波浪起伏造型的金属面或者水面,将光影的灵动铺洒在空间中,制造出一种虚空的美学意境。
这是一个具有探索性质的照明设计案例,探索的是在商业特定的理性需求下,通过光的作用让人产生对于空间人文表达的感性需求。
we expect to deliberate over the setting and presentation of light from the dimensions of "visible" characteristics of the club and the "invisible" experience of the oriental aesthetics.
The concept of oriental aesthetics is abstract as well as concrete. Abstract is perception based on psychology, while concrete is symbolic visual satisfaction.
In the aspect of abstract, we consider what kind of light can make people have a psychological resonance with oriental aesthetics and gain recognition.
First is indirect light, we hide light behind grilles and structures to make silhouettes or diffuse light through paper windows; The second is continuous light, we make the light on the ground or in the structure to continue as far as possible, forming an infinite light visual effect; Then there is reflected light, we use the light to illuminate the metal with wave shape or water to spread the movement of light and shadow in the space, creating an empty aesthetic atmosphere.
This is an exploratory lighting design case, which explores the emotional needs of spatial human expression through the light under the specific rational needs of business.