漫无止境.鲲. 大堂

鲲鹏，中国古代汉族神话中海神和风神禺强的两种化身。鲲鹏之名，最早出现于道家学说《庄子·逍遥游》。书中记载“北冥有鱼，其名为鲲。鲲之大，不知其几千里也；化而为鸟，其名为鹏。鹏之背，不知其几千里也。怒而飞，其翼若垂天之云。”

一楼大堂“大”是我的第一印象，所以我遵循我当时的第一感觉，为了利用好其“大”的优势，把空间做得雄伟壮阔的同时保留细腻与精致，我在大堂里采用了统一色调的原木色作为背景墙壁，长方形比例的切割拼接让整个空间的视觉效果得以充分的延伸。

空间之“大”会容易给人带来压迫感。为了解决这种困局，我在大堂配置了深色的大理石前台，与整个大堂的浅色调形成了强烈的色彩对比。接待区背后采用了立体的铺贴方式，错落有致的背景墙顿时体现出空间的三维感。

Endless. Kun Hall

Kun Peng, the two embodiment of sea god and Fengshen Yu Qiang in ancient Chinese Han mythology. The name of Kun Peng first appeared in the Taoist theory of Chuang-tzu. The book says, "there is a fish in North Yin, and its name is Kun. Kun is not known for thousands of miles, but it is turned into a bird. Its name is Peng. Peng's back is not known for thousands of miles. When anger flies, its wings hang over the clouds of heaven.

First floor lobby "big" is my first impression, so I followed my first feeling at that time, in order to make good use of its "big" advantage, to make the space magnificent while retaining delicate and delicate, I used a uniform hue of logs in the lobby as the background wall, rectangular proportion of cutting and splicing to make the whole space empty. The visual effect is fully extended.

The "big" space will easily bring people a sense of oppression. To solve this dilemma, I set up a dark marble front desk in the lobby, which contrasts strongly with the light colors of the entire lobby. The reception area uses a three-dimensional way of paving and pasting, the scattered background wall immediately reflects the three-dimensional sense of space.